Selection of Beijing Opera

Peking opera, or Beijing opera (Chinese: 京剧; pinyin: Jīngjù), is the most dominant form of Chinese opera which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1636–1912) and became fully developed and recognized by the mid-19th century.

京剧名家 空盼望气难忍我好心伤
京剧名家 叫孙儿你与我速备纸砚
马永安 自己的队伍来到面前
京剧名家 一见皇儿跪埃尘
京剧名家 列国之中敢干戈喉
京剧名家 劝千岁杀字休出口
京剧名家 叫张义我的儿听娘教训
京剧名家 周总理又回延安城
京剧名家 我和你好夫妻恩德不浅
京剧名家 我和你好夫妻恩德不浅
京剧名家 孔繁森
京剧名家 春雨送春归
京剧名家 水调歌头
裘盛戎 自幼儿听嫂娘
京剧名家 见包拯怒火满胸膛
京剧名家 赵氏孤儿
孟广禄 锁五龙
京剧名家 龙车凤撵进皇城

ShaJiaBang (Symphony)

Peking opera, or Beijing opera (Chinese: 京剧; pinyin: Jīngjù), is the most dominant form of Chinese opera which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1636–1912) and became fully developed and recognized by the mid-19th century.

《沙家浜》交响乐队 序曲
《沙家浜》交响乐队 军民鱼水情
《沙家浜》交响乐队 敌寇入侵 & 枪声报警芦苇荡
《沙家浜》交响乐队 坚持
《沙家浜》交响乐队 授计
《沙家浜》交响乐队 斥敌
《沙家浜》交响乐队 奔袭 & 胜利

ErHuang/Xipi Yuanban (1/2)

Peking opera, or Beijing opera (Chinese: 京剧; pinyin: Jīngjù), is the most dominant form of Chinese opera which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1636–1912) and became fully developed and recognized by the mid-19th century.

二黄原版 为国家哪何曾半日闲空
二黄原板 娘子不必太烈性
二黄原版 我们是工农子弟兵
二黄原版 皇恩浩调老臣龙庭独往
二黄原版 提起了当年投太原
二黄原版 叫张义我的儿啊
二黄原版 血债还要血来偿

ErHuang/Xipi Yuanban (2/2)

Peking opera, or Beijing opera (Chinese: 京剧; pinyin: Jīngjù), is the most dominant form of Chinese opera which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1636–1912) and became fully developed and recognized by the mid-19th century.

二黄原版 我离别了那皇宫院有二十余年
二黄原版 问三娘发雷霆却是为何
二黄原版 光辉照儿永向前
二黄原版 昨日宫中何等宠幸
二黄原版 金乌坠玉兔升满天星斗
反二黄原版 可怜我一家人无有下梢
反二黄原版 想当年奉王旨来到北海
反二黄原版 为亲娘那顾得微躯薄命
反二黄原版 直哭得咽喉哑娘好伤心
反二黄原版 悲切切惨凄凄泪湿罗衣
西皮原版 两国交锋龙虎斗
西皮原版 深宫无处不飞花
西皮原版 一席话气的我冷汗流
西皮原版 擂鼓三声响如雷
西皮原版 老爹爹发恩德将本修上
西皮原版 当日里好风光忽觉转变
西皮原版 远山叠翠如含笑
西皮原版 人生聚散实难料

Azalea Mountain

Azalea Mountain is the story of the growth of a south China peasant self-defence force in the spring of 1928.

This was a turning-point in the history of the Chinese revolution. Kuomintang-Communist co-operation in 1924 led to the great anti-imperialist, anti-feudal revolution. Then in 1927, when the revolution was victoriously developing, Chiang Kai-shek betrayed it and Chen Tu-hsiu in the Communist Party carried out a capitulationist line. The great revolution was thus defeated.

杜鹃山 三起三落几经风浪
杜鹃山 无产者
杜鹃山 家住安源
杜鹃山 黄连苦胆味难分
杜鹃山 大火熊熊
杜鹃山 乱云飞
杜鹃山 杜鹃山举义旗三起三落
杜鹃山 血的教训
杜鹃山 杜鹃山青竹吐翠
杜鹃山 共产党毛主席领导人民闹革命
杜鹃山 心潮难平

In Praise of the Longjiang River

Longjiang Song (龙江颂, Ode to the Dragon River) started out as a spoken drama, but was later changed to Beijing Opera. It was part of the model works that were produced after 1969.

龙江颂 人换思想地换装
龙江颂 百花盛开春满园
龙江颂 让青春焕发出革命光芒
龙江颂 为革命再大牺牲也承当
龙江颂 端起龙江化春雨
龙江颂 望北京更使我增添力量
龙江颂 一轮红日照胸间
龙江颂 毛主席把阳光雨露洒满人间
龙江颂 为人类求解放奋斗终身
龙江颂 让革命红旗插遍四方

Selection of Shangdang Bangzi

Shangdang Bangzi is one of the four kinds of local operas in Shanxi Province, popular in the southeast of Shanxi. It was called Shangdang GongDiao in Daoguang period. Shangdang Bangzi mainly sings Bangzi opera, and also sings Kunqu Opera, Pihuang opera, Luoluo opera and Juan opera, commonly known as "kunbang Luojuan Huang". It was popular in the middle and late Qianlong period of Qing Dynasty. During the Jiaqing and Daoguang periods, there were numerous troupes, famous actors, dramas and schools, and it entered a period of vigorous development.

潘杨讼 万岁爷金殿上传下口旨
雁门关 提起来儿的罪非浅
三关排宴 朝吧王下殿来心烦意乱
斩花堂 冯侍郎蹒跚去令人好笑
打龙袍 一见皇儿跪埃尘
杀妻 三杯酒
会计姑娘 会计姑娘
Shangdang Artists 湛湛青天不可欺
杀惜 趁黄昏郓城外送别刘唐
红灯记 雄心壮志冲云天